In early September, around 20 participants, including I, have ended a magical month as theatre practitioners. The world-renowned theatre scenographer Jan Versweyveld, whose work is always related to productions directed by the acclaimed director Ivo van Hove, came to Hong Kong to run a four-day workshop on his works

英国著名剧场创作人添・高治（Tim Crouch）早前来港演出《我，马伏里奥》（I, Malvolio），演出过后，Tim和我们谈到他的创作、演出，以及他下月来港进行为期十天的「表演基本步」工作坊。

Ding-Dong Venice!

追垃圾车的孩子

对不少人而言，舞蹈就是由肢体律动构成的一连串动作，配合音乐呈现，但
西九文化区的舞蹈演出「ON VIEW：HONG KONG」却为观众带来崭新体验

2010 年，我离开工作了三年半的艺术发展局，加入西九文化区。那时候有高人提醒：你何不在艺术发展局多留几年？西九这项目还早呢，搞不好等你做完两届合约，还是沙尘滚滚的工地。

Half of the internship has quickly passed. Besides the repetition of work and daily life, simultaneously there were some interesting and funny episodes which happened with the visitors, highlighted our days in the venue.

按照柏林戏剧节的标准，中国话剧多不是“今日戏剧”。那么，香港跟台湾的戏剧创作的主流又是什么呢？

How can we not talk about the waters in the city of water?

威尼斯双年展醒晨良伴

西九戏曲中心今年9月首办「小剧场戏曲展演」。七场演出包括新编作品：小剧场粤剧《霸王别姬》、小剧场淮剧《孔乙己》、京昆合演《春水渡》；传统剧目：梨园戏《朱文》（孤本）。