The first Sunday marked our busiest day here since arriving, we had nearly 1,000 visitors stepping through to see “Shirley Tse: Stakeholders, Hong Kong in Venice”. During my internship at the Hong Kong Pavilion which started in September, I photographed countless visitors who saunter through our wooden-door entrance. The photographs captured them in candid freeze-frames and I sketched those who made an indelible impression on me.

How to greet people in Italian and why does it even matter?

“May You Live in Interesting Times,” the title of the 58th edition of the Venice Biennale, is said to be an ancient Chinese curse, though none of the Chinese here at the Biennale, at least those I have met, seem to have any inkling where this comes from.

這次一個人在仍舊陌生的札幌坐了半小時巴士，再行了二十分鐘，來到這個由野口勇（Isamu Noguchi）親自設計「莫埃來沼公園」(モエレ沼公園)，展開一個尋找野口勇之旅

不經不覺間，已經開展了實習一個月。在此期間，學會的不只是書中的知識，更是許多人生經驗。 在這個文化沙漠當中，究竟怎麼樣的藝術才能讓市民有煥然一新的感覺呢？我想，應該只有這樣與眾不同的展覽吧。

七月尾聲的到來， 意味着美好的暑假已悄悄地溜走了一大半。不知不覺中， 我已經在WKCDA實習將近一個月。

每天準時9時登上穿梭巴士，9時12分踏進西九項目辦公室。原來這樣日復日的模式已維持了快將一個月，快得我感覺仍像第一天報到般。

[Chinese Version Available]
A new round of exhibition at M+ Pavilion named ‘In Search of Southeast Asia through the M+ Collections’ has officially opened last week. A day before its public opening, I went the press review and the opening banquet.

今年由藝術家吳家俊（阿喜）參與的「M+敢探號」流動創作教室及展覽，以「是事是物」為主題，透過各種遊戲與活動，邀請觀眾運用想像力，從而打破看待事物的習慣

Half of the internship has quickly passed. Besides the repetition of work and daily life, simultaneously there were some interesting and funny episodes which happened with the visitors, highlighted our days in the venue.

 

How can we not talk about the waters in the city of water?