威尼斯雙年展2019隨著日落的節奏下謝幕

A self-discovery to an ambiguous and complex reflection on encounters and separations, triggered by Shirley Tse: Stakeholders, Hong Kong in Venice.

How to greet people in Italian and why does it even matter?

An account of how to respond in a case of artwork emergency (Venice edition)

The title of this year’s Hong Kong exhibition at the 58th Venice Biennale is “Stakeholders: Hong Kong in Venice,” through which artist Shirley Tse proposes a world-view where everyone is a stakeholder. Here, I would like to introduce some of the stakeholders of the Venice Biennale–the Biennale exhibition staff. These are the indispensable but unacknowledged individuals who spend the most time at the exhibitions, who take care of the artworks and venues, greet and aid dazed and confused visitors, and make sure the show go on (or not) under whatever circumstances.

“May You Live in Interesting Times,” the title of the 58th edition of the Venice Biennale, is said to be an ancient Chinese curse, though none of the Chinese here at the Biennale, at least those I have met, seem to have any inkling where this comes from.

威尼斯的大街小巷，與香港截然不同的鄰里氣氛。

After staying in Venice for a month, I have concluded a few points based on my working experience and stories during the internship period.  

這次一個人在仍舊陌生的札幌坐了半小時巴士，再行了二十分鐘，來到這個由野口勇（Isamu Noguchi）親自設計「莫埃來沼公園」(モエレ沼公園)，展開一個尋找野口勇之旅